Generative Processes Computational Arts blog by Nathan Bayliss MA Computational Arts  Goldsmiths 2018

“Who Controls Control?”

on 22 hours ago
22 hours ago
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Writing Risky Accounts

on 3rd Dec 22 9:57 pm
3rd Dec 22 9:57 pm
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Leaky Box Strategies

on 3rd Dec 22 9:56 pm
3rd Dec 22 9:56 pm
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Curatorial Strategies

on 29th Nov 22 12:03 pm
29th Nov 22 12:03 pm
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Re/Discovering Diffraction

on 15th Nov 22 9:28 pm
15th Nov 22 9:28 pm
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(Investigative) Aesthetics

on 1st Nov 22 7:04 pm
1st Nov 22 7:04 pm
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Situated Knowledges / After the Interlude

on 18th Oct 22 7:46 pm
“The only position from which objectivity could not possibly be practiced and honored is the standpoint of the master, the Man, the One God, whose ...
18th Oct 22 7:46 pm
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Lockdown_ AR

on 29th Oct 20 7:49 pm
Lockdown_ is an augmented reality (AR) installation that continues the artist's research into family history, memory, and the way digital technology may provide another lens through ...
29th Oct 20 7:49 pm
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ECO VOICE

on 30th Sep 20 7:55 am
Eco-Voice This work was initially titled Eco-Song and was to be the focus for my major project this term. During the research phase I realised that ...
30th Sep 20 7:55 am
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SKY NET

on 2nd Sep 20 7:53 am
SKY NET Sky Net is a digital sculpture suspended in the air, that focuses on the material infrastructure behind the growing Internet of Things permeating contemporary ...
2nd Sep 20 7:53 am
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BABBLE_ Autonomous Vehicle System

on 29th Aug 20 7:13 pm
BABBLE is an autonomous vehicle system within which the individual vehicles access their environment through, and communicate with, different senses. The title of the work ...
29th Aug 20 7:13 pm
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“Update your privacy settings” / Algorithmic Phenomenology

on 20th May 19 12:13 pm
Algorithmic Phenomenology / “Update your privacy settings” is an ambient augmented reality “portal” installation that aims to put the participant into the role of the ...
20th May 19 12:13 pm
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“Dubrovnik Ghost Series” / Neural Networks as a Diffractive Medium (Part 2)

on 17th May 19 10:48 am
This post is the second half of my final report for Computational Arts Based Theory and Research, 2019. It follows on from Part 1 which ...
17th May 19 10:48 am
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“Dubrovnik Ghost Series” / Neural Networks as a Diffractive Medium (Part 1)

on 17th May 19 10:30 am
“How can you shift.. from a dimension of decomposition to a dimension of recomposition?” - Franco Berardi, E-Flux lecture AI / Human relationships are surely now endemic to ...
17th May 19 10:30 am
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If (!knowledge) { thisPost.read(); }

on 27th Mar 19 10:20 am
If this blog was a film, this post would form the confusing info-dump that a time travelling character is shown early on, but only makes ...
27th Mar 19 10:20 am
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Curation as an art form / Exhibition as a node

on 18th Mar 19 10:38 pm
...
18th Mar 19 10:38 pm
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Research Project – Update 01

on 15th Mar 19 12:46 pm
Well, the research proposal has been submitted, peer grading has happened and I’ve had some feedback from Rachel about some good topics to follow up ...
15th Mar 19 12:46 pm
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VR experience “We live in an Ocean of Air” – reviewed by a guy who won’t shut up about the new Avengers film.

on 14th Mar 19 2:18 pm
-- ** Warning. This incredibly serious review is completely, 100% filled to the brim with spoilers for Avengers: Infinity War. If you have no knowledge of ...
14th Mar 19 2:18 pm
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Ghosts in the Machine / Voices in the Synthesiser

on 13th Mar 19 4:03 pm
A lovely reading this week introduced us to post-phenomenology, a wide ranging topic that is only just sinking in now as I approach my research ...
13th Mar 19 4:03 pm
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Technogeographies – sensing from a non-human perspective

on 20th Feb 19 12:02 pm
...
20th Feb 19 12:02 pm
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Pizza and peaches

on 15th Feb 19 9:53 am
Here’s a bombshell - 93% of tweets involving the peach emoji are not actually related to the peach at all! I know! I’m sorry, I ...
15th Feb 19 9:53 am
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Research Assignment 02 – Proposal

on 10th Feb 19 11:10 am
-   Some turpentine in a jar. Brushes dropped in, pressed down, fanned out, bristles releasing residue from before. Swish them around, bump them down again, draw ...
10th Feb 19 11:10 am
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Critical Technical Practice: “Just Do it”

on 5th Feb 19 5:24 pm
Disobedient Electronics, edited by Garnet Hertz, was this week’s reading that introduced us to the topic of computational art as a critical technical practice.  It introduced ...
5th Feb 19 5:24 pm
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Theory and Process – Projection Mapping

on 1st Feb 19 11:37 am
As part of our creative coding course we had a projection mapping assignment in which we created real-time graphics to be shown over real-world geometry. ...
1st Feb 19 11:37 am
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Stelarc’s head and the Uncanny Valley

on 11th Dec 18 11:22 pm
“What figures of the human are materialized in these technologies? What are the circumstances through which machines can be claimed, or experienced, as humanlike? And ...
11th Dec 18 11:22 pm
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Digital Witnessing – Forensic Architecture @ Tate Britain

on 24th Nov 18 11:22 pm
This year’s Turner art prize was unique as each finalist was a film. The entries were Naeem Mohaiemen: Tripoli Cancelled, BRIDGIT by Charlotte Prodger, Autoportrait ...
24th Nov 18 11:22 pm
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Yes you GAN (part 2)

on 17th Nov 18 8:54 pm
Preparing images for training For our artefact we used paired images, creating a Conditional GAN. Conditional meaning we give extra Conditions (labels, contours, anything) that helps ...
17th Nov 18 8:54 pm
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Affect / Effect: My experience at an affective writing workshop

on 14th Nov 18 11:29 am
...
14th Nov 18 11:29 am
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Yes you GAN (part 1)

on 5th Nov 18 8:55 pm
This is a more technical post than elsewhere on the blog. If you’re interested in learning more about how to make images or videos with ...
5th Nov 18 8:55 pm
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Deepmind, AlphaStar and Cake – getting messy with Material Semiotics

on 30th Oct 18 5:44 pm
A recurrent theme that’s popping up a lot in this blog is CONTEXT. Understanding how things physical and philosophical fit together is crucial to a ...
30th Oct 18 5:44 pm
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